The Bad Lieutenant: Port of Call New Orleans - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

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• This poster is from The Bad Lieutenant: Port of Call New Orleans (2009)

In Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abando! n. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedu! ral will be baffled by Herzog's unpredictable direction--the c! amera wi ll suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs whi! le playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But e! ven before he became addicted he wasn't a nice guy, and afterw! ard he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting ca! st, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerDVD Details * Actor(s): Nicolas Cage :search Nicolas Cage Eva Mendes :search Eva Mendes Russell M. Haeuser :search Russell M. Haeuser Val Kilmer :search Val Kilmer Fairuza Balk :search Fairuza Balk * Format: Color Standard screen * Soundtrack: English * Additional: Import * Rating: R * MSRP: $65.98 * Release Date: 1 5 2010 * Number of Discs: 1Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable o! f being honorable... or at least a smart cop. As his drug use ! and gamb ling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, an! d a wealth of other recognizable faces. --Bret FetzerDirector Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent! of some of his early, off-putting acting in movies like Pe! ggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog’s highly anticipated new film, Nicolas Cage plays a man as devoted to police work as he is to scoring drugs. A high-functioning addict who is a deeply intuitive, fearless detective, he ranges over the beautiful ruins of New Orleans with authority and abandon. Adding to his tumultuous life is the prostitute he loves (played by Eva Mendes). Together th! ey descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manicly humorous. In this book devoted to the film, renowned photographer Lena Herzog’s documentation of the film captures the uniqueness of the director’s vision, the set, and the actors. The volume also includes the script, written by Billy Finkelstein, reworked by Herzog.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Be Cool

• ISBN13: 9780060777067
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Bett! er than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 07/05! /2011 Rating: Pg13Starring an unbelievably hip all-star cast,! includi ng John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurm! an) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonDisc 1: GET SHORTY Disc 2: BE COOL

The sequel to Chili Palmer's hit movie Get Leo tanked and now Chili's itching for a comeback. So when a power lunch with record-label executive and former associate Tommy Athens ends in a mob hit, he soon finds himself in an unlikely alliance with organized-crime detective Darryl Holmes and the likely next ! target of Russian gangsters. But where others see danger, Chil! i Palmer sees story possibilities.

Enter Linda Moon, a singer with aspirations that go further than her current gig in a Spice Girls cover band. Chili takes over as Linda's manager, entering the world of rock stars, pop divas, and hip-hop gangstas. As he wings his way to success in the music business with his trademark cool, Chili manipulates his adversaries and advances his friends, all the while basing the plot of his new film on the action that results. Be Cool is rife with drama, jealousy, and betrayal, and all Chili needs to do is survive to make a new box-office hit.

The film Get Shorty was a success on many fronts. It introduced a new style of hip gangster that revised the stereotype of the Godfather series. It also helped relaunch the career of John Travolta. And it brought Elmore Leonard's impressive body of fiction to larger public attention. In Hollywood, such a triumph usually spawns a sequel--a film that rehashes the great jokes an! d cool scenes of the first film, but with none of the panache that initially inspired audiences.

In the beginning of Be Cool, the sequel to the novel Get Shorty, readers are reminded that Chili Palmer--like his creator--scored a huge success with a gangster film (his was entitled Get Leo). But the sequel, Get Lost, was a predictable dud. Rather than follow that sordid story, however, Leonard takes Chili into a totally new direction. He places Chili on a murder investigation (in which he is a prime suspect) and then traces Chili's entry into the music business. Meanwhile, Leonard reveals a whole new cast of fresh, funny, and flaky characters to populate Chili's world, characters like Elliot the gigantic, gay, Samoan bodyguard who lives to be on the stage. Throughout, the voice of John Travolta rings in Chili's every speech (word has it that Travolta has already been cast to reprise the role) as Leonard pokes fun at the Hollywood ! apparatus and the task of a sequel writer.

Be Cool surp asses its original because it is so self-consciously a novel about sequels, about the sometimes cowardice that limits the creativity of the American film industry. It is hard to imagine how Leonard could top the multilayered satire/crime novel/exposé. One only hopes for a sequel. Fans of Be Cool might want to check out music from The Stone Coyotes, the band that served as Leonard's model in the book. --Patrick O'Kelley

Humboldt County

• At the edge of the continent and on the margins of society is a region of California known to some as "The Lost Coast." It is there, in HUMBOLDT COUNTY, that Peter Hadley (Jeremy Strong) a promising yet disillusioned medical student failed by his professor (Peter Bogdanovich) stumbles upon a remote community of counterculture marijuana farmers and a warmly embracing, yet eccentric family played by

Peter Hadley, an uptight and disillusioned medical student is failed by one of his professors, who happens to be his father. Seeking some escape, Peter ends up in bed with a nightclub singer named Bogart, who invites him on a road trip to Humboldt County. It is here that he meets and is embraced by Bogart s eccentric marijuana farming family. When Bogart leaves Peter stranded, he begins a new journey of his own.

Adventures of Rocky and Bullwinkle Vol. 6: Canadian Gothic [VHS]

• Born on April 16, 2000
• Collect all 12!
• Great for Kids and grown-ups too!
• Surface Washable!
• Very collectible!

Bullwinkle J. Moose has the world's largest collection of box tops, which makes him the prime suspect when someone starts redeeming counterfeit box tops for goodies in the stores.Watch out American television viewers! Rocky and Bullwinkle do battle against Boris Badenov's band of TV antennae-eating rodents. Full color.ADVENTURES OF ROCKY AND BULLWINKLE - DVD MovieThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fea! rless Leader (Robert De Niro), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineHere's Bullwinkle! He's waving a `Wassamotta U' flag. He's 9" standing.Most of the tape is devoted to the misadventures of that sterling hero, Dudley Do-Right of the RCMP. In! one cartoon, Dudley, Snidely Whiplash, Nell, and Inspector F! enwick s uccumb to the show-biz bug and form a vaudeville act. Even funnier is Snidely confessing to having "a thing" about tying ladies to railroad tracks. He's ready to give himself up, but Nell defends him in a courtroom performance that Portia might envy. Rounding out the program is a visit to the first Mountie by Sherman and Mr. Peabody, Aesop and Son's retelling of "The Hound and the Wolf," and the Fractured Fairy Tale of "The Frog Prince." Rocky and Bullwinkle make only cameo appearances in this collection that includes Mr. Know-It-All explaining how to be a stuntman--er, moose. Also, Bullwinkle enacts "Simple Simon" with Boris as the pie man, but the nursery rhyme quickly degenerates into a variation on Abbot and Costello's "Who's on First" routine. The Jay Ward cartoons are always fun to watch, but at 39 minutes, this tape seems a bit brief. Fans who watch credits may not realize that executive producer "Ponsonby Britt" never existed: Ward and Bill Scott needed ! one at some point, so they made him up. --Charles Solomon

Webkinz Plush Stuffed Animal Grey Owl

• Full Sized Webkinz
• Comes with a secret code that lets you enter Webkinz World

First published in 1935, Pilgrims of the Wild is Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing powers of what he referred to as "the great Northland" of "Over the Hills and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First! Nations man he claimed to be.

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often co! mes off as a walking cliché, his flat speech and long, slow s! tares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker

Hap Wilson is back for another journey, this time on the lighter side of the adventure trail, where the bizarre melds with the sublime. Nurtured by the writings of Canadian environmentalist and wannabe-Native, Grey Owl, Wilson adopted a lifestyle similar to the 1930s conservationist but with his own twists and turns along a meandering path full of humorous misadventures. Wilson, too, learned many of his nature skills as a youth, paddling in Temagami, working as a wilderness canoe ranger and guide, and following in the footsteps of one of Canada's most revered outdoor icons.

The author recounts early days winter c! amping, motorcycling the Labrador coast, and teaching actor Pierce Brosnan how to throw knives and paddle a canoe for the Richard Attenborough film about Grey Owl. He also takes us to a few of his favourite places and shares intimate secrets of wilderness living. Here, Grey Owl has returned as an ever-present critic -- a buckskin-clad spectre in a modern world of Gore-Tex, Kevlar canoes, and gear freaks.

Archibald Belaney perpetrated one of the 20th Century's most convincing hoaxes. Known to the world as "Grey Owl," he convinced everyone that he was a Canadian-born first nations author. In this persona, he became one of Canada's most popular and famous personalities. Grey Owl's British origins came to light shortly after his death and the ensuing public outcry ignored his significant contributions as a conservationist. A generation after his death though, Grey Owl is remembered as an effective public champion of our natural heritage, and his writings still carry an! important environmental message for today's world. Without Gr! ey Owl's efforts and passion towards the wilderness, Canada may have lost a better part of its natural beauty. He helped create a legacy of awareness and protection for Canada's forests and wildlife.

In 1931 Grey Owl published his first book, The Men of the Last Frontier, a work that is part memoir, part history of the vanishing wilderness in Canada, and part compendium of animal and First Nations tales and lore. A passionate, compelling appeal for the protection and preservation of the natural environment pervades Grey Owl’s words and makes his literary debut still ring with great relevance in the 21st century.

By the 1920s, Canada’s outposts of adventure had been thrust farther and farther north to the remote margins of the country. Lumbermen, miners, and trappers invaded the primeval forests, seizing on nature’s wealth with soulless efficiency. Grey Owl himself fled before the assault as he witnessed his valleys polluted with sawmills, his hills dug up f! or hidden treasure, and wildlife, particularly his beloved beavers, exterminated for quick fortunes.

Grey Owl Webkinz by Ganz HM344

PS3 Eagle Eye Mouse and Keyboard Converter

• Converts your USB keyboard and mouse into a Playstation 3 controller
• Easy Plug and Play setup. Fully customize your keys and start playing in minutes
• Designed with first person shooter games in mind. Aim better and move more accurately, move faster. Ownage never becomes easier!
• Equipped with a high-capacity CPU resulting in fluid mouse movement, no delays or dead zones!

Genre: Action/Adventure
Rating: PG13
Release Date: 27-DEC-2008
Media Type: DVDThe "cell phone thriller" is becoming a genre unto itself, and Eagle Eye should be considered a key example of the form. Frankly preposterous but compulsively watchable, this movie puts Shia LaBeouf in a mess of trouble instigated by a mysterious telephone voice. If he doesn't follow orders, dire things will happen--although when he does follow orders, the consequences are pretty! dire, anyway. Also being blackmailed is a single mom (Michelle Monaghan) receiving similar phone calls. Why are they being jerked around by the purring female voice, and why is the road leading to Washington, D.C.? Actually, you won't have time to contemplate these questions, because director D.J. Caruso (who guided LaBeouf in Disturbia) keeps the action going at the customary breakneck pace. This is a wise move, because the real questions you'd likely be asking have to do with the plausibility of events on a minute-by-minute basis (most notably: how could Mysterious Phone Voice possibly know that the two pigeons would survive the hoops she makes them fly through, each one more death-defying than the last?). The actors tumble through this mayhem like scattering bowling pins, including Billy Bob Thornton and Rosario Dawson as government agents. Nobody has time to make much of an impression, and LaBeouf has much less room for puppydog charm than he did in Disturbia! . Even that would be all right within the movie's berserk ! paramete rs, but the really irritating thing is the way the tacked-on final scenes reverse what would have been a heroic climax. No guts, no glory. --Robert Horton




Stills from Eagle Eye (Click for larger image)

Aim better, move faster, ownage never comes easier. The Eagle! Eye Con verter lets you use a keyboard and mouse to control the game instead of a traditional PS3 hand-held controller. Customize your keys and start playing within minutes. The Eagle Eye is equipped with high-capacity CPU, making the mouse movement fluid with no delay and no dead-zone. Remember how easy it was to play first person shooters on a PC? Bring that experience to your PS3!