
- "She is society's worst nightmare, an antisocial misfit convicted of murder and sentenced to die. But a covert government agency may be able to transform her into a sleek, cool-as-ice assassin. Bridget Fonda (Single White Female, Jackie Brown) stars as Maggie in this thriller directed by John Badham (WarGames, Stakeout). Dressed to kill, trained to survive, shes set loose in a deadly world where u
Studio: Warner Home Video Release Date: 09/08/2009
Point of No Return is one of those Hollywood remakes of a European hit in which one can visualize a committee of studio executives sitting around and saying, "Okay, we know what made the original film unique and different and fun. How can we make that same movie and do exactly the opposite?" For-hire director John Badham (
Saturday Night Fever) took
La Femme Nikita, Luc Besson's undeniably sexy, original, and kitschy French fil! m about a female assassin, and translated it into a calculating, mechanistic American thriller with no distinctive style. Bridget Fonda gamely plays the willowy street punk who becomes a high-society killer, but once that provocative irony is in place, the movie is pretty much a series of by-the-numbers action set pieces. Until, that is, Dermot Mulroney shows up as a love interest; but even that twist can't save this film. You're much better off with the original, subtitles and all.
--Tom Keogh"Bridget Fonda is pure dynamite" (WWOR-TV) as a murderous misfit reprogrammed as a high-tech assassin. Gabriel Byrne and Anne Bancroft co-star in "one of the top thrillers of the year" (ABC Radio Network). Year: 1993 Director: John Badham Starring: Bridget Fonda, Gabriel Byrne, Dermot Mulroney
Point of No Return is one of those Hollywood remakes of a European hit in which one can visualize a committee of studio executives sitting around and saying, "Okay, we know what mad! e the original film unique and different and fun. How can we m! ake that same movie and do exactly the opposite?" For-hire director John Badham (
Saturday Night Fever) took
La Femme Nikita, Luc Besson's undeniably sexy, original, and kitschy French film about a female assassin, and translated it into a calculating, mechanistic American thriller with no distinctive style. Bridget Fonda gamely plays the willowy street punk who becomes a high-society killer, but once that provocative irony is in place, the movie is pretty much a series of by-the-numbers action set pieces. Until, that is, Dermot Mulroney shows up as a love interest; but even that twist can't save this film. You're much better off with the original, subtitles and all.
--Tom KeoghAN INNOCENT WANT AD OPENS THE DOOR TO MURDEROUS, UNRELENTINGTERROR IN THIS PULSE-POUNDING PSYCHOLOGICAL SHOCKER. WHEN MOUSY HEDRA CARLSON ANSWERED HER AD SHE THINKS SHE FOUND THE PERFECTROOMMATE. BUT BEFORE LONG HEDRA TAKES OVER THE SPARE BEDROOM, ALLIE'S CLOTHES, HER BOYFRIEND AND HER IDE! NTITY.You can take this 1992 thriller one of two ways: it's either a highly suspenseful movie about an unfortunate young woman's psychological breakdown, or it's a glossy slasher movie starring two of Hollywood's best young actresses. Or maybe it's both at the same time--or perhaps it's the clever and well-acted thriller for its first hour before resorting to the routine shocks of a cheap horror flick. However you look at it, there's no denying that this is a dynamite showcase for Jennifer Jason Leigh as the roommate from hell who becomes the bane of Bridget Fonda's existence. First she picks up Fonda's mannerisms, then starts to borrow her wardrobe, cuts her hair to resemble Fonda's, and even "borrows" her roomie's boyfriend for a deceitful night of lovemaking. By that point Fonda's totally freaking out (wouldn't you?), and, well, that's when the whole thing gets a little too silly. Still, this is a nifty little shocker, and director Barbet Schroeder brings more intelligen! ce and style to the material than it really deserves. Add that! to the fine performances by the battling roommates and you've got a movie that will make you think twice before inviting total strangers to live with you.
--Jeff Shannon "She is society's worst nightmare, an antisocial misfit convicted of murder and sentenced to die. But a covert government agency may be able to transform her into a sleek, cool-as-ice assassin. Bridget Fonda (Single White Female, Jackie Brown) stars as Maggie in this thriller directed by John Badham (WarGames, Stakeout). Dressed to kill, trained to survive, shes set loose in a deadly world where unexpected romance complicates things even more. Gabriel Byrne, Dermot Mulroney, Anne Bancroft and Harvey Keitel also star.
Point of No Return is one of those Hollywood remakes of a European hit in which one can visualize a committee of studio executives sitting around and saying, "Okay, we know what made the original film unique and different and fun. How can we make that same movie and do exactly the opposite! ?" For-hire director John Badham (
Saturday Night Fever) took
La Femme Nikita, Luc Besson's undeniably sexy, original, and kitschy French film about a female assassin, and translated it into a calculating, mechanistic American thriller with no distinctive style. Bridget Fonda gamely plays the willowy street punk who becomes a high-society killer, but once that provocative irony is in place, the movie is pretty much a series of by-the-numbers action set pieces. Until, that is, Dermot Mulroney shows up as a love interest; but even that twist can't save this film. You're much better off with the original, subtitles and all.
--Tom Keogh