Friday, November 11, 2011

Something's Gotta Give

  • Jack Nicholson is always a Key Feature
  • Comedy Movie
  • DVD
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.

Before Sunrise

The Apostle: A Life of Paul

  • ISBN13: 9781564762429
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

 

Magazine journalist Seneca Hunt is reporting on the opening of Montezuma's tomb in Mexico City when the dig team learns that the remains of the Aztec emperor are missing. Within moments of the discovery, an apparent terrorist attack kills everyone at the site except Seneca, who barely escapes the carnage.

Determined to get answers, Seneca starts investigating. She finds out that someone is stealing the remains of the most infamous mass murderers in history-and plotting to slaughter millions in the name of an ancient cult. Seneca needs to prove the threat really exists while trying to stay one step ahead of those who want her dead. With time running out, she must follow a deadly ! 2,000-year-old trail that leads back to the death of Jesus Christ.

Praise:
“Bold, taut, and masterfully told.”â€"James Rollins, New York Times bestselling author of The Doomsday Key

 “What do you get when you cross Indiana Jones with The Da Vinci Code?  The Phoenix Apostles, a rollicking thrill ride with so many twists and turns that you won’t have time to catch your breath!”â€"Tess Gerritsen, New York Times bestselling author of Ice Cold

“Sholes and Moore have creat! ed a kno ckout apocalyptic thriller, an epic tale of gold, archaeology, mass murder, ancient prophecy and terrorism.”â€"Douglas Preston, New York Times bestselling author of Impact

“A fascinating, compelling page-turner.”â€"Carla Neggers, New York Times bestselling author of Cold Dawn



 

 

Master of suspense and #1 New York Times bestselling author Brad Thor returns with his most riveting international thriller yet.

A new administration and a new approach to dealing with America's enemies have left covert counterterrorism operati! ve Scot Harvath without a job. But when American doctor Julia Gallo is kidnapped in Afghanistan, the terms of her ransom leave the president with only one course of action.

In a dangerous assignment that the United States government will deny any knowledge of, Scot Harvath must secretly infiltrate Kabul's notorious Policharki Prison and free the man the kidnappers demand as ransom - al-Qaeda mastermind, Mustafa Khan.

But when Harvath arrives, he quickly learns that there is more to the kidnapping than anyone dares to admit. And as the subterfuge is laid bare, Harvath must examine his own career of hunting down and killing terrorists, and ask himself if he has what it takes to help one of the world's worst go free.

Brimming with the kind of ripped-from-the-headlines authenticity Brad Thor's internationally bestselling novels are known for, The Apostle doubles down on the blockbuster success of The Last Patriot and reaffirms Thor's status as the master of ! the political thriller.

Unabridged Compact Disk Includes! a Bonus MP3 CD of Brad Thor's The Lions Of LucerneWhen most people finish reading the New Testament, they wonder what happened to the twelve apostles. This newly updated 2nd Edition covers the Lives, Ministries and Deaths of the Original men who turned the world upside-down. New Table of Contents, New Chapters and all new information about these men who first called Jesus Master. Available in Special Edition Hardcover upon request to the Author.

When most people finish reading the New Testament, they wonder what happened to the twelve apostles. This newly updated 2nd Edition covers the Lives, Ministries and Deaths of the Original men who turned the world upside-down. New Table of Contents, New Chapters and all new information about these men who first called Jesus Master. Available in Special Edition Hardcover upon request to the Author.

This is a biography of Paul by one of the foremost Pauline scholars of our time. While Bruce's primary concern is to ! portray the life of the apostle Paul, he also examines the main themes of Paul's thought, set in their historical background and illustrated from his letters.After Joseph Smith and Brigham Young, Parley P. Pratt was the most influential figure in early Mormon history and culture. Missionary, pamphleteer, theologian, historian, and martyr, Pratt was perennially stalked by controversy--regarded, he said, "almost as an Angel by thousands and counted an Imposter by tens of thousands."

Tracing the life of this colorful figure from his hardscrabble origins in upstate New York to his murder in 1857, Terryl Givens and Matthew Grow explore the crucial role Pratt played in the formation and expansion of early Mormonism. One of countless ministers inspired by the antebellum revival movement known as the Second Great Awakening, Pratt joined the Mormons in 1830 at the age of twenty three and five years later became a member of the newly formed Quorum of the Twelve Apostles, which! vaulted him to the forefront of church leadership for the res! t of his life. Pratt's missionary work--reaching from Canada to England, from Chile to California--won hundreds of followers, but even more important were his voluminous writings. Through books, newspaper articles, pamphlets, poetry, fiction, and autobiography, Pratt spread the Latter-day Saint message, battled the many who reviled it, and delineated its theology in ways that still shape Mormon thought.

Drawing on letters, journals, and other rich archival sources, Givens and Grow examine not only Pratt's writings but also his complex personal life. A polygamist who married a dozen times and fathered thirty children, Pratt took immense joy in his family circle even as his devotion to Mormonism led to long absences that put heavy strains on those he loved. It was during one such absence, a mission trip to the East, that the estranged husband of his twelfth wife shot and killed him--a shocking conclusion to a life that never lacked in drama.

The Acclaimed, Authentic ! Biography of the Early Church's Greatest Evangelist--the Apostle Paul.Master storyteller John Pollock makes Paul and his amazing story freshly alive, so that you can know the greatest apostle much as Luke and Timothy did as they traveled with him. As you turn the pages, you'll sense Paul's motives, his aims and priorities; what mattered to him; and what he was willing to die for.


Uncertainty

  • UNCERTAINTY (DVD MOVIE)
Loud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, ta ttooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, immaculately groomed covert operative he played in Inception. But what's consistent in both performances and the thing that gives the übe! r-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious outbursts of brutality, aggression, and deep-seated emotional pain lying ju! st beneath everyone's surface. Hesher is the catalyst, and for! tunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-out ragamuffin who crosses paths with both T.J. and Hesher seems also to be trying to put a shine on her indie cred. Piper Laurie's turn as the ob! ese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryLoud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, tattooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, ! immaculately groomed covert operative he played in Inceptio! n. B ut what's consistent in both performances and the thing that gives the über-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious o! utbursts of brutality, aggression, and deep-seated emotional pain lying just beneath everyone's surface. Hesher is the catalyst, and fortunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-o! ut ragamuffin who crosses paths with both T.J. and Hesher seem! s also t o be trying to put a shine on her indie cred. Piper Laurie's turn as the obese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryUNCERTAINTY - DVD Movie

Grease (Rockin' Rydell Edition)

  • Condition: Used, Very Good
  • Format: DVD
  • Full Screen; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll!System Requirements:Running Time: 110 minsFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 097361183947 Manufacturer No: 118394Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like America! n Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about ! the romantic dilemmas experienced by a group of graduating hi! gh schoo l seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film ! adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of ! credit, bringing chemistry and energy to otherwise bland mater! ial. Joh n Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Alaska: A Novel