TRIPLE SOCKET W/EXTENSION
- Plugs into any cigarette lighter socket or any 12 volt source
- Mounts anywhere with Hook & Loop Tape
- Three outlets
- For use in cars trucks, and boats
Meet Emily and Paul: The parents of two young children, Emily is the newly promoted VP of marketing at a large corporation while Paul works from home or from clients' offices as an independent IT consultant. Their lives, like all of ours, are filled with a bewildering b! lizzard of emails, phone calls, yet more emails, meetings, pro! jects, p roposals, and plans. Just staying ahead of the storm has become a seemingly insurmountable task.
In this book, we travel inside Emily and Paul's brains as they attempt to sort the vast quantities of information they're presented with, figure out how to prioritize it, organize it and act on it. Fortunately for Emily and Paul, they're in good hands: David Rock knows how the brain works-and more specifically, how it works in a work setting. Rock shows how it's possible for Emily and Paul, and thus the reader, not only to survive in today's overwhelming work environment but succeed in it-and still feel energized and accomplished at the end of the day.
YOUR BRAIN AT WORK explores issues such as:
- why our brains feel so taxed, and how to maximize our mental resources
- why it's so hard to focus, and how to better manage distractions
- how to maximize your chance of finding insights that can solve seemingly insurmountable problems
- ! how to keep your cool in any situation, so that you can make the best decisions possible
- how to collaborate more effectively with others
- why providing feedback is so difficult, and how to make it easier
- how to be more effective at changing other people's behavior
The Samsung Focus weighs 4.07 ounces and measures 4.84 x 2.56 x 0.39 inches. Its 1500 mAh lithium-ion battery is rated at up to 6.5 hours of talk time, and up to 300 hours (12.5 days) of standby time. It runs on the 850/900/1800/1900 MHz GSM/GPRS/EDGE frequencies as well as AT&T's dual-band 3G network (850/1900 MHz; HSPA/UMTS) plus international 3G networks (2100 MHz).The intellectual gymnastics and ceaseless rumination endure (if you don't have a tolerance for that kind of thing, your nose doesn't belong in this book), but they are for the most part couched in simpler, less frenzied narratives. The book's four-piece namesake takes the form of interview transcripts, in which the conniving horror that is the male gender is revealed in all of its licentious glory. In the short, two-part "The Devil Is a Busy Man," Wallace strolls through the Hall of Mirrors that is human motivation. (Is it possible to completely rid an act of generosity of any self-serving benefits? And why is it easier to sell a couch for five ! dollars than it is to give it away for free?) The even shorte! r glimps e into modern-day social ritual, "A Radically Condensed History of Postindustrial Life," stretches the seams of its total of seven lines with scathing economy: "She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces." Wallace also imbues his extreme observational skills with a haunting poetic sensibility. Witness what he does to a diving board and the two darkened patches at the end of it in "Forever Overhead":
It's going to send you someplace which its own length keeps you from seeing, which seems wrong to submit to without even thinking.... They are skin abraded from feet by the violence of the disappearance of people with real weight.Of course, not every piece is an absolute winner. "The Depressed Person" slips from purposefully clinical to unintentionally boring. "Tri-Stan: I Sold Sissee Nar to Ecko" reimagines an Arthurian tale in MTV terms a! nd holds your attention for about as long as you'd imagine from such a description. Ultimately, however, even these failed experiments are a testament to Mr. Wallace's endless if unbridled talent. Once he gets the reins completely around that sucker, it's going to be quite a ride. --Bob Michaels
In his first novel for a younger audience, Carl Hiaasen (Basket Case, etc.) plunges readers right into the middle of an ecological mystery, made up of endangered miniature owls, the Mother Paula's All-American Pancake House scheduled to be built over their burrows, and the owls' unlikely allies--three middle school kids determined to beat the screwed-up adult system. Hiaasen's tongue is firmly in cheek as he successfully cuts his slapstick sense of humor down to kid-size. Sure to be a hoot, er, hit with middle school mystery fans. (Ages 10 to 15) --Jennifer Hubert
"It has taken me sixty years to identify the three keys to a happy life," writes George Will. "A flourishing family, hearty friends, and a strong bullpen." The title of this book -- Will's seventh collection of newspaper and magazine pieces, book reviews, speeches, and occasional writings -- is taken from the W. H. Auden poem "The Horatians," which dictates that we look at this world with a happy eye but from a sober perspective.
And so it is with a happy eye indeed that Will shares his vision of ! America just before and after the birth of the twenty-first century. Featuring five years' worth of observations on politics, current affairs, and international relations, With a Happy Eye But...is a brilliantly diverse collection from America's most widely known commentator at his sober, happy, and controversial best.Webster's bibliographic and event-based timelines are comprehensive in scope, covering virtually all topics, geographic locations and people. They do so from a linguistic point of view, and in the case of this book, the focus is on "Eye," including when used in literature (e.g. all authors that might have Eye in their name). As such, this book represents the largest compilation of timeline events associated with Eye when it is used in proper noun form. Webster's timelines cover bibliographic citations, patented inventions, as well as non-conventional and alternative meanings which capture ambiguities in usage. These furthermore cover all parts of speech! (possessive, institutional usage, geographic usage) and conte! xts, inc luding pop culture, the arts, social sciences (linguistics, history, geography, economics, sociology, political science), business, computer science, literature, law, medicine, psychology, mathematics, chemistry, physics, biology and other physical sciences. This "data dump" results in a comprehensive set of entries for a bibliographic and/or event-based timeline on the proper name Eye, since editorial decisions to include or exclude events is purely a linguistic process. The resulting entries are used under license or with permission, used under "fair use" conditions, used in agreement with the original authors, or are in the public domain.
Throughout his legendary career, John C. Bogle-founder of the Vanguard Mutual Fund Group and creator of the first index mutual fund-has helped investors build wealth the right way and led a tireless campaign to restore common sense to the investment world. Along the way, he's seen how destructive an obsession with financial success can be. Now, with Enough., he puts this dilemma in perspective.
Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, Enough. seeks, paraphrasing Kurt Vonnegut, "to poison our mind! s with a little humanity." Page by page, Bogle thoughtfully considers what "enough" actually means as it relates to money, business, and life.
Written in a straightforward and accessible style, this unique book examines what it truly means to have "enough" in world increasingly focused on status and score-keeping.
Amazon.com Exclusive: William J. Bernstein on Enough
William Bernstein, Ph.D., M.D. is the critically acclaimed author, financial theorist and historian whose books include A Splendid Exchange: How Trade Shaped the World, The Birth of Plenty, The Four Pillars of Investing, and The Intelligent Asset ! Allocator. Bernstein is frequently quoted in national pu! blicatio ns, including The Wall Street Journal, Barron's, Money, and Forbes.
If you are wondering about the cause of the current market crisis, then you haven't been reading enough of Jack Bogle.
Because he certainly knows not only where, but why and how. For decades Jack has been communicating his disquiet in previous books, speeches, and public testimony. Years from now, when historians and investors dissect the economic and market meltdowns of 2008, they'll consult this slim, well-written volume.
In order to understand the intellectual and moral platform from which he surveys the economic wreckage, you need to know a little of his story. Bogle founded one of the world's great investment companies, the Vanguard Group. Most men in his situation would have levered such success into a multi-billion-dollar net w! orth; instead, he "mutualized" Vanguard, converting it, in effect, into a nonprofit organization whose only goal was to benefit its fund holders. From an ethical perspective, Vanguard is the only "investment company" worthy of that name. (As opposed to most financial firms, which are in fact "marketing companies" whose main purpose is to milk unwitting investors of fees and commissions.)
The answer to the conundrum of 2008 lies in the bookâs title, "Enough," which is the punch line from a delightful Kurt Vonnegut/Joseph Heller story. Simply put, our nation has been suffering from decades of unchecked financial excess, for which we are now paying the piper: excess in investment company fees; excess in financial speculation masquerading as diversification and innovation; excess in the salaries of top executives; excess in salesmanship; and most importantly, excess in the role played by the financial industry in our national economy and national life.
Each ! of these excesses gets its own chapter, and each one is a tigh! tly writ ten gem. Chapters 2 and 3, which dissect out the frenzy of derivatives, structured vehicles, and layers of intermediation behind the recent collapse, alone justify the book's purchase price.
As Bogle states in the book's beginning, in the spring of 2007 the financial services sector--which, after all, produces nothing of substantive value--accounted for one-third of the earnings of the S&P 500. By the time you read this, this outsized influence will have shrunken drastically. Let Enough be your welcome to the brave new world; it will satisfy your curiosity, give you a sense of moral balance in this most materialistic of ages, and even plump up your investment portfolio.
--William J. Bernstein
Disc 2: **Goldfinger Bonus Disc DECLASSIFIED: MI6 VAULT Sean Connery From the Set of Goldfinger Screen Tests On Tour With the Aston Martin DB-5 Honor Blackman Open-Ended Interview 007 MISSION CONTROL Interactive Guide Into the World of Goldfinger The Making of Goldfinger The Goldfinger Phenomenon Original Publicity Featurette MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Disc 3: *The World Is Not Enough (1999) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Michael Apted Audio Commentary Featuring Peter Lamont, David Arnold and Vic Armstrong
Disc 4: **The World Is Not Enough Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes and Alternate Angles With Introductions by Director Michael Apted Alternate Angle, Expanded Angle Scene: The Thames Boat Chase James Bond Down River - Original 1999 Featurette Creating an Icon: Mak! ing the Teaser Trailer Hong Kong Press Conference 007 MISSION CONTROL Interactive Guide Into the World of The World Is Not Enough The Making of The World Is Not Enough Bond Cocktail Tribute to Desmond Llewelyn Garbage 'The World Is Not Enough' Music Video The Secrets of 007 MINISTRY OF PROPAGANDA Original Trailer & Photo Gallery
Disc 5: *Diamonds Are Forever (1971) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew
Disc 6: **Diamonds Are Forever Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes Sean Connery 1971: The BBC Interview Lesson # 007: Close Quarter Combat Deleted Footage - Oil Rig Attack Satellite & Explosions Test Reel Alternate & Expanded Angles 007 007 MISSION CONTROL Interactive Guide Into the World of Diamonds Are Forever Inside Diamonds Are Forever Cubby Broccoli - The Man Behind Bond MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Galler! y & Radio Communications
Disc 7: *The Man With The Golden! Gun (19 74) **The Man With The Golden Gun Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew
Disc 8: DECLASSIFIED: MI6 VAULT Roger Moore and HervÃ(c) Villechaize - The Russell Harty Show On Location With The Man With the Golden Gun Guy Hamilton: The Director Speaks Girls Fighting American Thrill Show Stunt Film The Road to Bond: Stunt Coordinator W.J. Millian Jr. 007 MISSION CONTROL Interactive Guide Into the World of The Man With the Golden Gun Inside The Man With the Golden Gun An Original Documentary Double-O Stuntmen: A Look at the Greatest Stunts and Stunt Performers in the Bond Films MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Disc 9: *The Living Daylights (1987) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Gl! en and Members of the Cast and Crew
Disc 10: **The Living Daylights Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Introduction by John Glen Happy Anniversary, 007 Silver Anniversary Featurettes Timothy Dalton: The New James Bond/Vienna Press Conference Timothy Dalton: On Acting Dalton and d'Abo Interviews The Ice Chase Outtakes - Deleted Footage With Director John Glen Narration 007 MISSION CONTROL Interactive Guide Into the World of The Living Daylights Inside The Living Daylights Ian Fleming: 007's Creator a-ha 'The Living Daylights' Music Video The Making of 'The Living Daylights' Music Video MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Co-starring Isla Fisher and Ian McShane, Hot Rod is "very, very funny from start to finish" and scales the heights of hilarity as Rod defies death to win the money, win the girl and, ultimately, win some respect. After making a name for himself on SNL through a! series of shorts, particularly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod i! s the kind of slapdash comedy that neglects to provide its her! o with a n age, a job, or even a hometown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass.After making a name for himself on SNL through a series of shorts, particularly vir! al video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to pr! ovide its hero with an age, a job, or even a hometown. But don! 't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass. After making a name for himself on SNL through a series of shorts, particularly viral video favorite "Lazy Sunday," the way ! was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to provide its hero with an age,! a job, or even a hometown. But don't count Samberg out. Given! time, h e may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyStudio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesLike something that rolled out of a garage in Andy Hardy's hometown of Carvel Indiana comes Hot Rod. James Lydon (whose radio and film portrayals of Henry Aldrich were perhaps but a half-block removed from Andy) stars as David Langham, an enterprising youth with an eye for the girls and an ear for a well-tuned high-compression machine. And his dad? He's a sagacious font of advice (Art Baker) who happens to be a small town judge. The film, which combines the excitement of tire-singing speed with a cautionary message about the perils ! of street racing, would see a stream of redlining exploitation flicks in its rearview, Hot Rod Girl, Hot Rod Gang and Hot Rods to Hell among them.
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HOT RODS TO HELL - DVD Movie
A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "clash" of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world.
She focuses on one particular "zone of awkward engagement"--the rainforests of Indonesia--where in the 1980s and ! the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.
Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked ! in contemporary theories of the global.
Ships in Amazon Fru! stration -Free Packaging Four-arm shape conforms to your dashboard Attachment arm connects directly to your GPS Compatible with nvi series GPS navigators and StreetPilot C5XX series One-year limited warrantyGarmin and Amazon.com have teamed up to offer this item in Amazon Frustration-Free Packaging, a recyclable, easy-to-open alternative to traditional packaging. Products in Frustration-Free Packaging are exactly the same--we've just streamlined the packaging. A Frustration-Free Package comes without wire ties, hard plastic "clamshell" casings, and plastic bindings. It's designed to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging. This item ships in its own box, without the need for an additional shipping box. Learn more about Frustration-Free Packaging. Keep your nüvi in place with this portable friction mount. It'll keep everything in plain sight when you need it and out of the way when you don't. The a! rm attachment connects directly to your GPS device, and once you've adjusted it to your liking, locks into place. Avoid the "wing around the windshield" syndrome that accompanies windshield mounts.Perfect for locales where window-mounting is prohibited or those who simply prefer a quick way to mount/unmount their nüvi/StreetPilot device.
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And ! thatâs just the beginning! Goku also spends some time on Turtle Island where he and Krillin study martial arts under the legendary Master Roshi. The old hermit may not look like much, but if his new pupils can find him a woman, heâll make sure theyâre ready to rumble at the upcoming World Martial Arts Tournament!
Season One of Dragon Ball is a must-have for everyone from the die-hard fan to the next generation of collectors.In 1986, the animated adaptation of Akira Toriyama's manga Dragon Ball debuted on Japanese television, launching one of the most popular franchises in anime history. Dragon Ball introduced a special mixture of male bonding, rigorous training, martial arts fighting, slapstick comedy, and sci-fi action that scored a huge hit with boys and led to the follow-ups Dragon Ball Z and Dragon Ball GT--and numerous imitators. A small boy from another planet, Goku commands super-human strength, but he was raised in the remote mou! ntains by an old man and he knows little of the world. Goku me! ets Bulm a, who's trying to assemble the seven magical Dragon Balls so she can wish for a boyfriend. The naive boy and the hot-tempered girl join forces, then form a quarrelsome alliance with Oolong, the shape-shifting pig, and Yamcha, a dashing bandit with a metamorphic familiar, Puar. The heroes compete for the Dragon Balls against the pint-sized Emperor Pilaf (who wants to rule the world). After defeating Pilaf, Goku goes to study martial arts with Master Roshi, a lecherous but extraordinarily skilled old man. Goku and fellow student Krillin develop formidable powers that they use in the World Martial Arts Tournament. These episodes set the pattern for Dragon Ball and numerous other series: humans and creatures of all description train endlessly, then gather to pound the ramen out of each other before an audience. Naturally, the hero wins in an extended final match. The first adventures are lighter in tone and more broadly comic than the beginning of the darker Red Ribbon S! aga. For years, the first13 episodes of Dragon Ball were only available in the U.S. in the heavily edited set Saga of Goku, to the chagrin of the fans. Following their successful release of the complete Dragon Ball Z and Dragon Ball GT, Funimation is presenting Dragon Ball uncut and digitally restored. The series probably looks better now than it did when it premiered, as it was reportedly filmed in 16mm. Note: The sight of the prepubescent Goku and Krillin running around naked doesn't bother Japanese audiences. (Rated TV 14, but appropriate for ages 12 and up: nudity, risqué and toilet humor, cartoon violence, ethnic stereotypes, alcohol and tobacco use) --Charles Solomon
(1. Secret of the Dragon Balls, 2. The Emperorâs Quest, 3. The Nimbus Cloud of Roshi, 4. Oolong the Terrible, 5. Yamcha the Desert Bandit, 6. Keep an Eye on the Dragon Balls, 7. The Ox-King on Fire Mountain, 8. The Kamehameha Wave, 9. Boss Rabbitâs Magic T! ouch, 10. The Dragon Balls Are Stolen, 11. The Penalty Is Pinb! all, 12. A Wish to the Eternal Dragon, 13. The Legend of Goku, 14. Goku's Rival, 15. Look Out for Launch, 16. Find That Stone! 17. Milk Delivery, 18. The Turtle Hermit Way, 19. The Tournament Begins, 20. Elimination Round, 21. Smells Like Trouble, 22. Quarterfinals Begin, 23. Monster Beast Giran, 24. Krillin's Frantic Attack! 25. Danger From Above, 26, The Grand Finals, 27. Number One Under The Moon? 28. The Final Blow, 29. The Roaming Lake, 30. Pilaf and the Mystery Force, 31. Wedding Plans?)
Four months after th! eir separation, marketing consultant Lake Warren faces a tough! legal b attle with her husband, Jack, for custody of their two kids. Though the timing couldn't be worse, she finds herself responding to the flirtations of Dr. Mark Keaton, her handsome colleague at the Advanced Fertility Center. But the morning after their one-night stand, Lake discovers Keaton with his throat slashed.
Afraid of losing her children forever, Lake lies to the policeâ"and begins searching for the truth on her own before she can be charged with the heinous crime. She starts getting hostile treatment from her coworkers, and strange clues start appearing, quite literally, on her doorstep. Soon Lake is pulled dangerously close to the very dark secrets surrounding the slain man and the clinic where they worked. And suddenly the police are not the only ones hunting Lake Warren.
Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the ! last detail-and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.